If You're Practicing But Not Progressing, Watch This
If you've been playing guitar for a while but still feel scattered, bouncing between riffs, scales, and half-learned songs, you're not alone.
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Watch first, then bring questions to a lesson
Everything from Guitar Weekly, my weekly practice project: full lessons, Chord Progression of the Week, and Shorts you can learn in a minute. Watch, try it, and bring what gets stuck to a lesson. New videos land on Guitar Weekly on YouTube first.
Two minutes on why practice stalls, and what Guitar Weekly does about it.
If you've been playing guitar for a while but still feel scattered, bouncing between riffs, scales, and half-learned songs, you're not alone.
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Chord Progression of the Week, plus short ideas that make simple chords sound like a song.
Eight chords. One connected progression. A little extra pull.
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One ringing note can connect an entire chord progression.
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This week: four chords, a bass line that walks down, and two fingers that never leave the fretboard.
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The Royal Road progression, F, G, Em and Am, and why the IV V iii vi movement sounds so familiar.
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Bm7, Gmaj7, Dsus2 and A7: four chords that ring together, with the shapes and the strum.
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Shorts
This rhythm part uses one simple idea: place a finger on the high E string at the 2nd fret, then lift it back off.
A simple descending bass line can completely change the sound of a chord progression.
Turn a basic A chord into a richer progression by moving just one finger.
Most chord progressions stay comfortably in one key, but adding E7 creates a beautiful moment of tension before resolving to Am.
By the end of this short, you’ll know where this chord progression comes from and why it works.
If your chord progressions sound too plain, try using walking bass notes to lead into the next chord and make the whole thing sound more musical.
Knocking on Heaven’s Door at four levels, from first open chords to a fuller arrangement. Most people stop at level one.
Root notes, octaves, triads and CAGED, so chords, scales and melodies connect.
Triads can look like a bunch of different shapes to memorize across the guitar neck.
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Most guitarists learn CAGED as five chord shapes to memorize. Knowing where those shapes come from, and how their root notes connect, is what makes the system useful.
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In this Master the Fretboard lesson, we’re using the C shape of the CAGED system in E major to connect the fretboard instead of memorizing a collection of unrelated patterns.
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Most guitar players learn pentatonic scales as big boxes. But there’s another way to see the fretboard.
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Most players memorize scale boxes. This lesson connects them, playing E major pentatonic in one-octave diagonal patterns so the neck reads as one instrument.
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Shorts
The secret to powerful octave stabs isn’t careful picking. It’s learning how to mute everything you don’t want to hear.
Within bigger chords hides small triads. The first three strings of an open C chord is a C triad that is moveable up the neck.
How well do you know the fretboard? Find every C note across the neck, the root notes that chords, scales, triads and arpeggios all hang on.
Most guitarists learn triads as shapes. But the real breakthrough comes when you can build those shapes from root notes anywhere on the neck.
This C major triad starts from the C at the 3rd fret of the A string, but the important part isn’t just learning the shape.
Triads can feel like another collection of shapes you’re supposed to memorize.
The CAGED system starts making a lot more sense when you know where the root notes actually are.
The CAGED system starts with five open chord shapes you probably already know: C, A, G, E and D.
Want to understand the guitar fretboard instead of just memorizing shapes?
A quick look at the triads from this week’s Weekly Thread: Suspended in A.
Take a simple chord progression and learn how to see it in triads up the neck.
If you know the C chord, the next step is seeing the C major scale around it.
Use octaves to find the same note all over the guitar neck and start seeing the fretboard more clearly.
If you just learned open D, G, and A, don’t stop there. Learn them on the top 3 strings and start making them sound musical.
Arpeggios that follow the chords, and riffs you can move anywhere on the neck.
If your solos sound like you’re just running scales, arpeggios can completely change how you see the fretboard.
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Shorts
Instead of strumming Am, F, C, G, try picking through each chord one note at a time.
This chord-melody arrangement comes from Raising the Bar, the latest Guitar Weekly lesson.
An arpeggio is a broken chord. A C major chord is C, E and G, the root, third and fifth, played one note at a time.
A moody lead guitar part from this week’s Weekly Thread: Echoes in Em.
If you only know a riff in one place, you don’t really own it yet. Move it around the neck and make it part of your playing.
Same riff, multiple spots on the neck. The Do I Wanna Know? riff is a great example of how one shape can connect across the fretboard.
If you just learned a riff, don’t leave it in one spot. Move it around the neck and make it part of your playing.
Strums, grooves and picking patterns that keep simple chords moving.
Shorts
Most strumming lives in 4/4. This rhythm part from Rock the Cradle rocks in 6/8 with simple G-family open chords and a bass line that moves underneath.
This classic fingerpicking pattern is one every guitarist should know.
Power chords are only half the equation. The rhythm is what makes them come alive.
Main rhythm from this week’s Weekly Thread: Dusk in D.
The main rhythm guitar part from the Guitar Weekly lesson Sappy Days.
Can you stay in time with this syncopated chord progression?
A lot of players stop the right hand when the groove breaks into single notes.
Add a palm slap to your strumming and make a simple chord progression feel way more alive, rhythmic, and musical.
A simple way to practice syncopation on guitar: stop changing chords only on beat 1 and start hearing the groove differently.
The tabs and backing tracks for these lessons are on Guitar Weekly. Members get interactive tabs you can slow down and loop, a backing track to play along with, and the PDFs, plus a new Weekly Thread every Monday. $29.99 a month, with a 14-day free trial.